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Ages 12+. Under 16s must be accompanied by an adult (18+). Strictly no under 5s and no babes in arms admitted to the theatre.

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Titanique - LON [40903] 

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NOTHING ON EARTH COULD COME BETWEEN JACK AND ROSE, EXCEPT CÉLINE DION 

Performer Layton Williams is about to star in Titanique at the Criterion Theatre in London, where he will appear as the Iceberg.

Williams established himself in musical theatre from a young age. His notable roles included Jamie New in *Everybody's Talking About Jamie*, Angel Schunard in *Rent*, and Billy in *Billy Elliot*. Recently, he played the Emcee in *Cabaret* at the Kit Kat Club. 

Layton Williams - LON

Ages 12+. At parent/guardian's discretion.

Cabaret - LON [23939]

Cabaret

Cabaret - LON [23939] Product Media

We have no troubles here. In here, life is beautiful.The<a href="https://www.londontheatre.co.uk/theatres/kit-kat-club"> Kit Kat Club</a> is the ultimate escape. After a difficult or even ordinary day, the fanfare, glitz, and glamour feel like a portal to another time, where you'll be greeted with complimentary schnapps, dancing chorus members, and a lascivious pre-show smorgasbord.&nbsp;From the gilded lobby, disco-lit basement, and everywhere in between, the space creates an all-encompassing atmosphere, right down to the aptly named cabaret tables, a design element director Sam Mendes also used in his 1993 production at the Donmar and later&nbsp;on Broadway, where it was revived in 2014.&nbsp;However, here, director Rebecca Frecknall levels up the concept, and maybe this time, the stakes are a little higher and a little more intense. Coupled with Tom Scutt's immersive design and Isabella Byrd's atmospheric lighting, this production feels like a world away from outside.&nbsp;Or does it really? The headlines feel eerily similar today as when Joe Masteroff, John Kander, and Fred Ebb wrote their iconic musical about an American writer and a struggling nightclub performer in 1920s Berlin, who find themselves torn between a struggle to survive in love and life amid the rising glare of Nazism. There are, in fact, many troubles here.&nbsp;And Frecknall doesn't pull any punches with her high-concept approach, which takes a cue from Christopher Isherwood's Goodbye to Berlin and John van Druten's 1951 play, on which the show is based. The approaching horror and absurdism of this escape is at the forefront, and her highly choreographed tableau feels like a ballet or a marionette show, where someone calculating is pulling all the strings.&nbsp;At the center of this circus stands the Emcee, played here with impish wackiness by Eddie Redmayne. Redmayne slithers around the stage, contorting his being every which way to almost distracting effect. Redmayne is not a commanding showman, as is a tempting take for the Emcee, but instead he uses gesture and sensuality to make the audience lean in. As the musical gets progressively darker, Redmayne's Emcee becomes more and more absurd, almost half American Horror Story: Freakshow and half Martha Graham dancer, and his final iteration is the most horrific.&nbsp;In contrast to Redmayne, Jessie Buckley is all bravado and belt. Her Sally Bowles is the ultimate starlet, taking a note or three from Liza Minelli's iconic film performance in the role, and she dominates the stage with effortless charisma and appeal. She's irresistible. Even in the quieter, heartbreaking moments, she conveys an emotional depth and density, and she nails the 11 o'clock title song. (While many may argue that Sally Bowles as a character is not supposed to be a good singer, neither this production nor Buckley respect that take.)This production highlights the ensemble nature of the show, featuring a chorus of extremely talented dancers, seemingly inventing new ways to move with Julia Cheng's choreography, and the supporting cast offers a deep emotional contrast to the more showy club scenes.&nbsp;As Fraulein Scheider and Herr Schultz, Liza Sadovy and Elliot Levey hold the beating heart of the piece and shatter it into pieces. Anna-Jane Casey stands out as Fraulein Kost, and Omari Douglas does his best naive fish-out-of-water as American writer Clifford Bradshaw.&nbsp;<a href="https://www.londontheatre.co.uk/show/23939-cabaret">Cabaret</a> feels like a story we need and also don't need right now. On the one hand, it's a glorious ode to escapism and forgetting the troubles that bind us. But some of the "troubles" we're going through right now aren't that far off from Jazz Age Berlin, with abortion legislation under fire in the United States and government oversight of Covid-19 brewing further division.&nbsp;And Frecknall's searing, haunting final stage portrait seems to imply that escapism only lasts so long. Sooner or later, if we don't face our troubles, our troubles will find us. After all, life isn't really a cabaret, old chum.<a href="https://www.londontheatre.co.uk/show/23939-cabaret">Cabaret is playing at the Kit Kat Club. Book tickets to Cabaret on London Theatre.&nbsp;</a>

'Cabaret' at the Kit Kat Club review — Come to the cabaret with Eddie Redmayne and Jessie Buckley

The Kit Kat Club at the Playhouse Theatre is an iconic venue rooted deep in London's cultural heart. Immortalized by the legendary play 'Cabaret', this famous locale comes alive every night, brimming with elegance, sophistication, and a richly provoking ambiance. The Satine interior design is steeped in history, featuring rich, dark reds and a stunning crystal chandelier. Parquet floors and large French windows looking out over the busy London streets further imbue the Kit Kat Club with an irresistible allure. Here, the sounds of decadence echo long into the night, as theatre fanatics, tourists, and curious wanderers seek solace in its welcoming atmosphere.

### Getting to the Venue

Centrally located, the Kit Kat Club at the Playhouse Theatre is easily accessible. The nearest underground station is Embankment (Circle, District, Bakerloo, Northern lines) which is just a short walk away. Also, Charing Cross Station (National Rail services, Northern and Bakerloo lines) is close by. Numerous buses service the Strand, and there are taxi ranks at Charing Cross. There are car parks at Trafalgar Square or on the South Bank. Whether by public transport, car, or on foot, getting to the Kit Kat Club at the Playhouse Theatre is convenient and effortless.

### Additional information

Venue opens 75min before showtime.

Please arrive with plenty of time, latecomers will be admitted at a suitable point, which may be the interval.
Please note that once the show begins, we cannot guarantee readmission to the auditorium if you need to leave your seat for any reason. This is for both your safety and the safety of the performers. It may be up to a 30 minute wait before you are allowed back to your seat. If you have any requirements which mean you're likely to need to leave the auditorium mid-show, please speak to member of staff before the show begins.

Kit Kat Club at the Playhouse Theatre - LON

Kit Kat Club at the Playhouse Theatre

The Kit Kat Club at the Playhouse Theatre is a historic, iconic theatre venue in London, easily accessible via multiple transport options.

The Criterion Theatre is a gem of Victorian architecture located in the bustling heart of London, nestled within the world-famous Piccadilly Circus. Hidden away underground, this grand and storied venue brims with rich history and elegance. Built in 1874 by architect Thomas Verity, and designed in a striking Italian Renaissance style, the theatre seats 588 people across three levels. Notably, it is constructed predominantly from concrete, a characteristic unusual for its time. The theatre's magnificent gilded interior and treasured Criterion Bar sublimely enhance the overall patron experience.

Over the years, the Criterion Theatre has been the host to a variety of productions spanning several genres, including comedies, dramas, thrillers, musical concerts, and matinees. Its 'Criterion New Writing Programme' reflects its commitment towards nurturing potential playwrights and encouraging new work.

### How to Get There

The Criterion Theatre is conveniently served by several modes of public transportation. The nearest Tube station is Piccadilly Circus, served by the Piccadilly and Bakerloo lines, a mere two-minute walk away. Numerous bus routes run along Piccadilly, Regent Street, and Shaftesbury Avenue, making the venue easily accessible. However, due to its central location, parking is limited and it's advisable to use public transportation if possible. The venue is within London’s Congestion Charge Zone, and for those choosing to drive, nearby parking is available at Q Park Chinatown in Newport Place.

Criterion Theatre - LON

Criterion Theatre

The Criterion Theatre is a historic Victorian theatre in London's Piccadilly Circus, easily accessible by tube and bus services.

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Ages 8+. Under 16s must be accompanied and sat next to an adult (18+). Everyone must have their own ticket. Under 3s will not be admitted. 

MJ The Musical - LON [28638] 

MJ The Musical

He is one of the greatest entertainers of all time. Now, Michael Jackson’s unique and unparalleled artistry is heading to the West End in the multiple Tony Award®-winning musical MJ.

Ages 17+. Under 16s must be accompanied and sat next to an adult (18+). Everyone must have their own ticket. Under 3s will not be admitted.

The Book of Mormon - LON [287]

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*The Book of Mormon* comes from South Park creators __Trey Parker__ and __Matt Stone__, and *Avenue Q* co-creator __Robert Lopez__. *The Book of Mormon*, winner of nine Tony Awards® and four Olivier Awards, including Best Musical for both, follows a pair of Mormon boys sent on a mission to a place that’s about as far away a from Salt Lake City as you can get. 

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From the writers of SIX, Toby Marlow and Lucy Moss, Why Am I So Single? is a brand-new British musical where the lonely little lives of two BFFs are transformed into an all-singing, all-dancing extravaganza about dates, mates, and celebrating love in all its forms.


Ages 7+ (recommended). Under 16s must be accompanied by an adult. Under 4s will not be admitted. All children must have their own ticket.

The Mousetrap - LON [333]

The Mousetrap

AGATHA CHRISTIE’S THE MOUSETRAP is the world’s longest-running play. This thrilling West End production is THE genre-defining murder mystery from the best-selling novelist of all time… case closed!

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Criterion Theatre - TodayTix

When the Criterion Theatre first opened in 1873, the space was designed as a concert hall. The Criterion Theatre is the only West End theatre to be situated almost entirely underground — even the Upper Circle is not at street level. 

The Criterion Theatre housed comic opera in its early years, including works by W. S. Gilbert and George Grossmith. A decade after opening, the theatre had to be renovated to meet the Metropolitan Board of Works standards for ventilation. This work also saw the installation of electricity to the theatre. The building surrounding the theatre was extensively rebuilt between 1989 and 1992, but the Victorian auditorium was well-preserved and still stands today. 

Notable shows at the Criterion Theatre include *The Complete Works of William Shakespeare (Abridged)* by the Reduced Shakespeare Company, the long-running play *The 39 Steps* and Mischief Theatre's *The Comedy About A Bank Robbery*.

## Criterion Theatre Seating Information

The auditorium has three levels – Stalls, Dress Circle and Upper Circle.

The front rows of the Stalls offers good views of the stage, though the seating is not raked steeply. 

The Dress Circle has specifically designated ‘restricted view’ seats due to the number of pillars supporting the Upper Circle in Row C.

The Upper Circle offers unrestricted theatre views.

Criterion Theatre - London Theatre

The Criterion Theatre, opened in 1873, situated underground, had comic operas in early years. Later renovated with installed electricity, preserved Victorian auditorium remains. Notable shows include Shakespeare's works.

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Opens 9th December

Day of week	Matinee	Evening
Monday	-	7:30 PM
Tuesday	-	-
Wednesday	-	7:30 PM
Thursday	-	7:30 PM
Friday	3:00 PM	7:30 PM
Saturday	3:00 PM	7:30 PM
Sunday	-	-

Titanique Tickets

About Titanique

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