Name: Stephen Sondheim’s Old Friends
Start: 2023-09-16
End: 2024-01-06
Location: Gielgud Theatre

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Show of the Week

Following the triumph of Old Friends at the 2023 WhatsOnStage Awards where it won the Best Theatre Event Award, and the unforgettable all-star gala performance to celebrate the life and work of the great Stephen Sondheim at the theatre named after him in May 2022, Stephen Sondheim's Old Friends, devised and produced by Cameron Mackintosh, will open for 16 weeks only from 16 September 2023 - 6 January 2024 at the Gielgud Theatre with many of that Gala cast.

Recommended for ages 12+. Children under the age of 16 must be accompanied by and sat next to a ticket holder who is at least 18 years old.

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Promotional terms for participants in the UK (any person who resides elsewhere is not eligible to participate in the 'TodayTix Rush' sales promotion).

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A time-honoured title, not least against expectation in the UK, gets a vigorous new lease on life in this West End reboot of [*To Kill A Mockingbird*](https://www.londontheatre.co.uk/show/20130-to-kill-a-mockingbird), a London transplant of the 2018 New York iteration that made headlines as the most commercially successful straight play in Broadway history. 

Judging by its visceral appeal to a British audience, Harper Lee’s story of racial injustice in 1930s Alabama should resonate no less galvanically here, not least as refashioned by playwright Aaron Sorkin and director Bartlett Sher, and with a tremendous performance from [Rafe Spall](https://www.londontheatre.co.uk/actor-profile/rafe-spall) inheriting Gregory Peck’s screen role as Atticus Finch. (This novel has long been a stage mainstay in Britain, albeit in a separate adaptation that brought Robert Sean Leonard to London to play Atticus in 2013.)

Times have changed rather significantly since Jeff Daniels opened in this production Stateside, and Sorkin has cannily adjusted his script to capture the changing zeitgeist and a necessarily heightened awareness of racism and societal injustice. 

The result more amply foregrounds the widower Atticus’s relationship with the family housekeeper Calpurnia (Pamela Nomvete) and, on this occasion anyway, rather side lines the narrative potential of Atticus’s daughter Scout, not least because Gwyneth Keyworth is still finding her footing in the role that brought Celia Keenan-Bolger a Tony Award. 

Keyworth looks perfect for the child-woman required of an adult playing a young girl, but may perhaps be held back by accent issues that on this occasion are shared among one or two others in the cast. 

I very much exclude from that line-up the pitch-perfect Spall and Nomvete – and, for that matter, recent drama school graduate Harry Redding, here making an impressive stage debut as Scout’s older brother, Jem (short for Jeremy, just as Scout is short for Jean-Louise). 

And whereas Lee’s 1960 novel takes its sweet time getting to the trial, the courtroom exists at the thematic and physical centre of a production that shifts multiple locales with ease as Miriam Buether’s restless set slides this way and that to accommodate the domestic requirements of the material as well as its legal aspects. 

Scout sets the scene, landing us in the rape trial of Tom Robinson (Jude Owusu), a 25-year-old Black man with three children who is put on the stand with Atticus in his corner and a hunched Mayella Ewell (Poppy Lee Friar) as the accused. Mayella’s father, Bob, is a snarling bigot played with full-throttle fury by the excellent Patrick O’Kane who, it’s intriguing to note, is also the cover for Atticus – which here gives new meaning to playing both sides of the fence.

“Conscience can be exhausting,” says Atticus, in one of the play’s key takeaway lines, and Spall’s great achievement is to locate a rumpled, creased authority within a potentially saintly character who is rescued here from unimpeachable rectitude, not least in a faceoff with Calpurnia that exposes even this upstanding lawyer’s limitations. 

Speaking of “hasten(ing) the change,” Atticus here sounds at times like someone running for office, and it’s no surprise when mention is made near the start of a possible gubernatorial role for this character. I’m not sure Bob Ewell needs on this occasion to be classed as anti-Semitic amongst his other hateful characteristics: that feels in context like a step too far. 

But Spall handles moral outrage with an understated command that invites empathy for this man on all fronts: a small-c crusader who puts decency first whilst acknowledging that no one, himself included, is without flaw.
A cast the size of many a musical includes the award-winning David Moorst as Dill Harris, who fairly blatantly figures as comic relief, and the invaluable Jim Norton (himself a Tony and Olivier winner) in robust form as a notably keen-witted judge. 

That nearly 90 years have passed between the era in which the play is set and today, with arguably very little having fundamentally changed, may give sorrowful pause: how are we to achieve that change which Atticus so movingly anticipates? As a richly emotional evening closes on the rending hymn “Joy Cometh in the Morning,” all one can and must do is look toward a better tomorrow and to those new and more just mornings that, with any luck, lie in wait.

[*To Kill a Mockingbird* is at the Gielgud Theatre to Nov. 19. Book *To Kill a Mockingbird* tickets on London Theatre.](https://www.londontheatre.co.uk/show/20130-to-kill-a-mockingbird)

*Rafe Spall in To Kill a Mockingbird. (Photo by Marc Brenner)*

'To Kill a Mockingbird' review: Rafe Spall shines in Aaron Sorkin's stage adaptation

*To Kill a Mockingbird* is at the Gielgud Theatre to 19 November. 

★★★★★ - Evening Standard
★★★★★ - Daily Telegraph

__Matthew Modine__ plays Atticus Finch in *To Kill a Mockingbird*, __Aaron Sorkin's__ new play based on __Harper Lee's__ Pulitzer Prize-winning novel, directed by __Bartlett Sher__, now open at the Gielgud Theatre.

Harper Lee's enduring story of racial injustice and childhood innocence has sold 45 million copies worldwide. In New York, the production has become the most successful American play in Broadway history.


The Gielgud Theatre opened on 27 Dec. 1906, and was built for Seymour Hicks. The Gielgud was built as a pair with the [Sondheim Theatre](https://www.londontheatre.co.uk/theatres/sondheim-theatre).

The house was renamed the Globe Theatre in 1909 by its new manager, Charles Frohman from America. It was known as the Globe Theatre for the next 85 years until a 1994 name change to avoid confusion with [Shakespeare’s Globe Theatre](https://www.londontheatre.co.uk/theatres/shakespeares-globe-theatre) on the South Bank. It was then that the theatre received its current name, the Gielgud.

Hit shows at the Gielgud Theatre include Simon Stephens' [*The Curious Incident of the Dog in the Night-Time*](https://www.londontheatre.co.uk/show/the-curious-incident-of-the-dog-in-the-night-time), Jez Butterworth's *The Ferryman* and a gender-swapped revival of Stephen Sondheim's *Company*.  Delfont Mackintosh Theatres own the Gielgud Theatre.

## Gielgud Theatre Seating Information

The auditorium has three levels – Stalls, Dress Circle and Grand Circle.

The Stalls offers very good sightlines with each row being offset from the one in front. The overhang of the Dress Circle becomes apparent from Row R onwards.

The Dress Circle doesn’t have a strong rake. The stage is not obstructed by the overhang of the Upper Circle.

The Upper Circle seats offer good legroom. The seats curve inwards towards the stage.

## Where is *To Kill a Mockingbird* in the West End? 

*To Kill a Mockingbird* is at the Gielgud Theatre. The Gielgud Theatre is located on Shaftesbury Avenue, and is one of six theatres on the West End road.

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All rise for Harper Lee’s timeless courtroom drama, now in session in the West End. 

Harper Lee wrote *To Kill a Mockingbird*. To date, the American novelist's story of racial injustice has sold over 45 million copies. The popular novel follows lawyer Atticus Finch’s court case, told through the eyes of Scout, Atticus’s daughter. In the *To Kill a Mockingbird* play, the three young characters – Scout, Jem, and Dill – guide the action.

Aaron Sorkin adapts the *To Kill A Mockingbird* play, paired with Bartlett Sher’s visionary direction. The multi-award-winning screenwriter and playwright's work includes *The West Wing,* *The Social Network,* and *The Trial of the Chicago 7.* His version utilises the courtroom tension to show snapshots of an America past, the nation today, and give insight into the future of the United States.

*To Kill a Mockingbird* London shows started with Rafe Spall as Atticus Finch. Since then, Richard Coyle and Matthew Modine have portrayed the iconic literary role on stage. They join Broadway actors Jeff Daniels, Ed Harris, and Greg Kinnear as actors who have played the notorious lawyer.

*To Kill a Mockingbird* picked up six Olivier nominations: Best New Play, Best Actor in a Supporting Role (for David Moorst), Best Actress in a Supporting Role (Pamela Nomvete), Best Actor (Rafe Spall), Best Director (Bartlett Sher), Best Set Design (Miriam Buether).

### What is *To Kill a Mockingbird* about?

The *To Kill a Mockingbird* play tells the story of young Scout and her father Atticus Finch, a lawyer tasked with defending a local, Tom Robinson, who is accused of rape. The novel explores justice and racial tension in a small Southern town, and is one of the best-selling novels of all-time.


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Book theatre tickets for To Kill A Mockingbird in London's West End. All rise. Aaron Sorkin adapts Harper Lee's seminal courtroom drama in the West End.

To Kill A Mockingbird Tickets | London Theatre

What does it take to stand for justice? Matthew Modine stars in this thrilling adaptation of the classic novel by acclaimed writer Aaron Sorkin (*The West Wing*). A shocking crime rocks a small town, and a young girl learns what it means to stand up for what’s right in this award-winning new play. Learn more about *To Kill A Mockingbird* tickets at the Gielgud Theatre today.

Harper Lee’s Pulitzer Prize-winning book is one of the great American novels. Since its publication in 1960, schools across the world continue to incorporate the story into the national curriculum. 

The tale is inspired by her own childhood in 1930s rural Alabama; like Atticus, Lee’s father was an attorney who defended two black men. Now, the iconic story plays out in the hit *To Kill a Mockingbird* London production. Join Scout and Jem as they watch their father Atticus Finch defend an innocent African-American man, Tom Robinson, who has been falsely accused of rape. 

The show made its West End debut at the Gielgud Theatre in 2022 with Rafe Spall as Atticus Finch, with Richard Coyle and Matthew Modine taking over the role. Bartlett Sher directs *To Kill a Mockingbird* in London.

## What to Watch For:

- Harper Lee’s novel is renowned for telling its rich fable from the perspective of a child; it’s a coming-of-age tale as well as a snapshot of America. See how Sorkin translates that to the stage, using the three young characters – Scout, Jem, and Dill – to comment on and guide the action.
- It’s also fascinating to map some of the real-life people and places onto Lee’s story – whether it’s her relationship with her own father, or the childhood friend who inspired Dill: none other than Truman Capote, writer of *Breakfast at Tiffany’s* and *In Cold Blood*.
- Sorkin is renowned for his thrilling courtroom dramas, such as *A Few Good Men* (which starred Tom Cruise and Jack Nicholson in the movie) and *The Trial of the Chicago 7*. His version of *To Kill a Mockingbird* uses the courtroom tension as the basis for the whole play. 
- One of the past criticisms of the work is that the non-white characters don’t get to have much of a say. Sorkin addresses that in this new adaptation – if you know the book, you’ll spot significant changes and additions here for Tom and Calpurnia.
- However, Sorkin’s alterations led to an actual court battle between this new production and the Harper Lee estate, with particularly fraught wrangling over the characterisation of Atticus – who is arguably more flawed here. 

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